Oči moře. Sochy z lodních přídí. Cl. Magris

Bohumil Teplý - Zvětšování sochy pomocí tří kružidel Geometrické základy - vydala Palackého universita v Olomouci ve Státním pedagogickém nakladatelství, n.p., Redakce spisů fakulty filosofické, Praha 1965. Náklad 350 výtisků. Vydání první. Monografie pojednávající o geometrických aspektech a problémech při zvětšování třemi kružidly a tzv. tečkování třemi kružidly. Měkká časopisecká vazba, 48 stran. Čtená, nepoškozená, velmi pěkný stav. Osobní odběr po dohodě, zasílám po platbě předem na účet, Balíkovnou za 65,- Kč, Českou poštou klasicky za 75,- Kč, nebo Zásilkovnou za 80,- Kč. Při více kusech jedno smluvní poštovné, na dobírku zvolené poštovné + 60,- Kč.

1. Je trochu dražší stojí 400 Kč. Většína komkurenčních knih v tomto rozsahu je trochu levnější. Lidé , kteří ji již používají tvrdí ,že se jim cena mnohokrát vrátila díky radám s této knihy. 2. Osobní odběr je možný v Hranicích Okres Přerov Olomoucký kraj. 3. Musíte číst a najít si na ní čas.

Prodám knihu Larousse – Moře a oceány. Nakladatelství Slovart, 1995. Kniha je ve velmi dobrém stavu. Nabízím i další knihy v ostatních inzerátech.

Rok vydání: 2020 Stav: úplně nové Případný poplatek za zaslání: 79 Kč Brealey, Principles of Corporate Finance, 13e, describes the theory and practice of corporate finance. We hardly need to explain why financial managers have to master the practical aspects of their job, but we should spell out why down-to-earth managers need to bother with theory. Throughout this book, we show how managers use financial theory to solve practical problems. Much of this book is concerned with understanding what financial managers do and why. But we also say what financial managers should do to increase company value. Some of the biggest changes in this edition were prompted by the tax changes enacted in the U.S. Tax Cuts and Jobs Act passed in December 2017. In the current edition, we have also continued to augment the international content as well as a number of chapters that have been thoroughly rewritten. For example, the material on agency issues in Chapter 12 has been substantially revised. Chapter 13 on market efficiency and behavioral finance is now fresher and more up to date. Chapter 23 on credit risk focuses more on the practical issues of forecasting default probabilities.

Prodám tuto knihu Vzduch je naše moře Historie českého a československého letectví v komiksu ISBN 978-80-257-2616-7 Nová, zabalená ve folii. Osobní odběr Tanvald-Liberec-Turnov popř. zásilkovna kontakt prosím přes email

Cena včetně poštovného. Pouze po ČR. Vhodné pro umělce, malíře, sochaře, kreslíře. Kniha velmi dobrý stav - pouze na pár stranách fixou zvýrazněný text. The power of the image of the nude--the expressivity of the flesh--has inspired artists from the beginning. An understanding of human form is essential for artists to be able to express themselves with the figure. Anatomy makes the figure. Human Anatomy for Artists: The Elements of Form is the definitive analytical work on the anatomy of the human figure. No longer will working artists have to search high and low to find the information they need. In this, the most up-to-date and fully illustrated guide available, Eliot Goldfinger--sculptor, illustrator, scientific model-maker, and lecturer on anatomy--presents a single, all-inclusive reference to human form, capturing everything artists need in one convenient volume. Five years in the making, and featuring hundreds of photos and illustrations, this guide offers more views of each bone and muscle than any other book ever published: every structure that creates or influences surface form is individually illustrated in clear, carefully lit photographs and meticulous drawings. Informed by the detailed study of both live models and cadavers, it includes numerous unique presentations of surface structures--such as fat pads, veins, and genitalia--and of some muscles never before photographed. In addition, numerous cross sections, made with reference to CT scans, magnetic resonance imaging, and cut cadavers, trace the forms of all body regions and individual muscles. Information on each structure is placed on facing pages for ease of reference, and the attractive two-color format uses red ink to direct readers rapidly to important points and areas. Finally, an invaluable chapter on the artistic development of basic forms shows in a series of sculptures the evolution of the figure, head, and hands from basic axes and volumes to more complex organic shapes. This feature helps place the details of anatomy within the overall context of the figure. Certain to become the standard reference in the field, Human Anatomy for Artists will be indispensable to artists and art students, as well as art historians. It will also be a useful aid for physical and dance therapists, athletes and their trainers, bodybuilders, and anyone concerned with the external form of the human body. With the renewed interest in figurative art today, this will be an especially welcome volume.